“The ultimate aesthetic value is closely connected with the notion of a higher experience to create beautiful things, but ultimately to reach this higher state of mind. The skills and techniques of the arts are… nothing more than the means to reach this deeper aesthetic value… Religious enlightenment and aesthetic enlightenment are the same thing…” – Hideo Kishmoto, “Mahayana Buddhism and Japanese Thought,” Philosophy East and West, Vol. 4, no 3 (Oct. 1954), p. 221
“Nothing is more hallowing that the union of kindred spirits in art. At the moment of meeting, the art lover transcends himself. At once he is and is not. He catches a glimpse of Infinity, but words cannot voice his delight, for the eye has no tongue. Freed from the fetters of matter, his spirit moves in the rhythm of things. It is thus that art becomes akin to religion and ennobles mankind. It is this which makes a masterpiece something sacred.”- K. Okakura, The Book of Tea, Tokyo: Kodansha International, 1991 (!906), p. 10
In honor of Women’s Equality Day, I would love to spotlight Dirje Childs. (Dirje is pronounced Dear-G)
In our search for a cello player to record with, Julia and I asked our friend Mark Dann. He enthusiastically recommended Dirje. He said she was right in line with what we were doing.
“Great,” we said, “where does she live?”
Well, that was that for a while.
Then he suggested her again. We looked her up and found this video:
Dirje Childs-The Grateful Cellist:
Here is a portion of the transcript:
Dirje: “I finally said to the universe, alright do I need to be a nun, should I go to seminary? … I knew this is the voice I am meant to sing through. Right from the heart. This is the seminary; this is the Zen monastery. The cello, my heart and me.
Kate Potter: On retreat in the morning after meditation, we agreed that we would be silent until after breakfast. Dirje played for us during that silent portion and everybody who was on retreat was suddenly alive in the silence, quite engaged in the silence.
Dirje: They get a space of time where they are totally held in a peaceful quiet place where they are allowed to wake up to their life. It goes beyond regular meditation practices because the cello is there singing to those broken places. A tonic that is practical as it is deeply nourishing to the spirt. Something different yet simple, accessible to everyone. Breath, presence, rest, clarity. How many of us could use that oasis of rest in the breath and this present moment? … Any human being, to have the gift of coming out of all the things, the busyness of our mind, even the pain of our body, to rest in the moment… When I am in the future, I am in anxiety. When I am in the past, I am in regret and depression. When I am in the present, I am in the gift. … to be present to each other is a gift. One of my great heroes is Mother Teresa, binding up these people on the street. Well, you wouldn’t think that any of us are the wounded or the broken, but we are. And so this is that spirit of Mother Teresa offering to bind up and bring us all out of that craziness that we have in our heads; back to ourselves and our breath. Simply and to each other. My dream is that not only do people feel access to some healing but that it begins to wake up in their hearts. The call to be who they are in this earth. That’s what my cello wants to whisper in the ears of every soul that listens, “wake up to the gift that you are on this earth.”
When you listen to the video, you can hear the tone of Dirje’s cello delivering what she is describing.
There are moments, when religious or meditative practices do not reach us. Moments where we long to be immersed in the fullness of being. At these times, we may be moved aesthetically. Dirje’s music provides that aesthetic.
I am grateful to say, that we reached out to Dirje and she will be on The Levins’ next recording.
May we come into a greater equality within, so that we can finally reach the summit of our humanity.